Dilwale Dulhania Le Jayenge

 


Dilwale Dulhania Le Jayenge , also known by the initialism DDLJ, is a 1995 Indian Hindi-language romance film, directed by Aditya Chopra in his directorial debut, produced by his father Yash Chopra, and written by Javed Siddiqui with Aditya Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol. The plot revolves around Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995.

Earning 1.06 billion (valued at about US$32,766,000 in 1995) in India and ₹160 million (valued at about US$4,946,000 in 1995) overseas, Dilwale Dulhania Le Jayenge became the highest grossing Bollywood film of the year, and one of the most successful Indian films in history. It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s.

Many critics praised the film, which connected with different segments of society by simultaneously promoting strong family values and the following of one's own heart. Its success led other filmmakers to target the non-resident Indian audience, which was deemed more lucrative for them. It spawned many imitations of its story and style and homages to specific scenes. Dilwale Dulhania Le Jayenge was one of only three Hindi films in the reference book 1001 Movies You Must See Before You Die, and was placed twelfth on the British Film Institute's list of top Indian films of all time. It is the longest-running film in the history of Indian cinema. As of 2019, over 24 years after its first release, it is still being shown at the Maratha Mandir theatre in Mumbai.

 






Plot

Raj Malhotra and Simran Singh are both non-resident Indians (NRI) living in London. Simran is raised by her parents, Baldev Singh and Lajwanti. Baldev Singh is a strict and conservative father, while Raj is raised by his father Dharamvir Malhotra, who is very liberal. Simran always dreams of meeting her ideal man; her mother Lajjo warns her against this, saying dreams are good, but one should not blindly believe they come true. One day, Baldev receives a letter from his friend Ajit, who lives in Punjab, India. Ajit wants to keep the promise he and Baldev made to each other 20 years ago—to have Simran marry his son Kuljeet. Simran is disappointed, as she does not want to marry someone whom she has never met.

One evening, Raj enters Baldev's shop after closing time to buy beer. Baldev refuses, but Raj grabs a case of beer, throws money on the counter, and runs away. An infuriated Baldev calls Raj a disgrace to India. Meanwhile, Raj's father agrees to his request to go on a train trip across Europe with his friends, and Simran's friends have invited her to go on the same trip. Simran asks her father to let her see the world before her marriage, and he reluctantly agrees.

On the trip, Raj and Simran meet. Raj constantly flirts with Simran, much to her irritation. The two miss their train to Zürich and are separated from their friends, but start to travel together and become friends. Raj falls in love with Simran on the journey, and when they part ways in London, Simran realises she is in love with him as well. At home, Simran tells her mother about the boy she met on her trip; Baldev overhears the conversation and becomes enraged with his daughter. He says the family will move to India the next day. Meanwhile, Raj tells his father about Simran and that she will soon get married. When Raj says he believes Simran loves him too, his father encourages him to go after her. Raj goes to her house to woo her and her father, but is informed by their neighbor that they have sold their house and moved to India.




In India, Baldev is reunited with his relatives and his friend, Ajit. A miserable Simran and her younger sister Chutki take an instant dislike to Simran's fiancé Kuljeet because of his arrogance. Simran pines for Raj, but her mother tells her to forget him because she knows Baldev will never accept their relationship. The next morning, Raj arrives outside of the house where Simran is staying and the two reunite. She begs him to elope with her, but Raj refuses and says he will only marry her with her father's consent. Raj befriends Kuljeet and is quickly accepted by both families. Later, his father arrives in India and also becomes friends with Simran's and Kuljeet's families. Eventually, Lajjo and Chutki discover that Raj is the boy Simran fell in love with in Europe. Lajjo also tells Raj and Simran to run away, but he still refuses. Baldev recognises Raj from the beer incident but eventually accepts him. However, after he discovers a photograph of Raj and Simran together in Europe, he slaps and humiliates Raj and tells him to leave.

As Raj and his father wait at the railway station, Kuljeet, who is angry to learn of Raj's love for Simran, arrives with his friends and attack them. Eventually, Baldev and Ajit arrive and stop the fight, and Raj boards the departing train with his father. Simran then arrives with her mother and sister; she tries to join Raj on the train, but Baldev stops her. Simran begs him to let her go, saying she cannot live without Raj. Baldev, realising nobody loves his daughter more than Raj does, lets her go, and she runs and catches the train as it departs.

Credits adapted from the British Film Institute.

 


Cast

·         Shah Rukh Khan as Raj Malhotra

·         Kajol as Simran Singh

·         Amrish Puri as Chaudhary Baldev Singh, Simran's father

·         Farida Jalal as Lajwanti "Lajjo" Singh, Simran's mother

·         Satish Shah as Ajit Singh, Baldev's friend in India

·         Achala Sachdev as Simran's grandmother

·         Himani Shivpuri as Kammo Kaur, Simran's aunt

 


Production

 Origin and scripting

Aditya Chopra assisted his father, director and producer Yash Chopra, during the making of Chandni (1989), Lamhe (1991) and Darr (1993). During this time, Aditya wrote several of his own scripts, including one he assumed would be his first film, but eventually became his second, Mohabbatein (2000). For three years, he worked on the story that would become Dilwale Dulhania Le Jayenge before approaching his father to direct it. Yash did not want to and tried to persuade Aditya to do it himself. As they were discussing ideas for the script, Aditya conceived the notion that Raj would seek permission for marriage from Simran's stern father, rather than eloping with her. He then became excited about the possibility of directing the film himself. After his mother, the playback singer Pamela Chopra, agreed that the idea was sound, he decided to make this his directorial debut. Aditya wanted to make a wholesome film that people could watch repeatedly. He wanted to diverge from the typical plot line of the time, in which lovers run away when their parents object, and show that if their love was strong enough, the parents would eventually understand.

In May 1994, Aditya read the first draft of the script to several members of the Yash Raj Films production team assigned to work with him, including a cinematographer, an art director, and a dialogue writer. They were not impressed, but Aditya held fast to his ideas. He was given total editorial control by his father, the producer, and made the film according to his own tastes and sensibilities. Aditya struggled with both the dialogue writer Javed Siddiqui and the song lyricist Anand Bakshi to develop words that were "young-sounding". There were personal clashes over writing credits on the final script. Pamela's friend Honey Irani believed she deserved a writing credit that she did not receive, and Siddiqui believed Aditya did not deserve partial credit for the dialogue. After Dilwale Dulhania Le Jayenge, neither of them ever worked with Yash Raj Films again. After approving the script, Yash was consulted about the songs, but mostly left the creative process to his son, and has firmly denied that he was a ghost director on the project. He did not shoot a single frame, and did not even view some portions of the film until it was nearly completed.



Casting

Aditya originally wanted the film to be about a relationship between an Indian and an American. He wanted Tom Cruise for the role of Raj but was dissuaded by Yash, who did not want to use a foreign star. They decided their characters would be non-resident Indians (NRIs). Aditya approached Shah Rukh Khan to play the role of Raj. Shah Rukh was initially not interested because of the romantic nature of the role, having had success playing villainous roles. Aditya then asked Saif Ali Khan to play the lead role because he was having problems persuading Shah Rukh to do it. Saif declined for unknown reasons, as did Aamir Khan, causing Aditya to continue pursuing Shah Rukh. Aditya and Shah Rukh had four meetings over several weeks; he finally persuaded Shah Rukh by telling him he could never be a superstar unless he became "every woman's dream man, and every mother's dream son". Since then, Shah Rukh has expressed his gratitude to Aditya for helping to make him a star with this film. Shah Rukh said that fellow actor Salman Khan also encouraged him to do the role, saying that he thought the film would be very successful. Shah Rukh has also noted the similarities in the film's script to his own relationship with Gauri Khan before their marriage.

 Kajol was the first choice to play Simran, to which she quickly agreed. She and Shah Rukh had previously worked together in the successful films Baazigar (1993) and Karan Arjun (1995). Kajol said her character was very difficult for her to relate to, whereas Shah Rukh said Raj's personality was very similar to his own. Aditya chose the name Raj for the character, and the mandolin that he played, based on his admiration for the actor Raj Kapoor. After a successful screen test, Parmeet Sethi was chosen over Armaan Kohli for the role of Kuljeet Singh. In addition to his assistant director Sameer Sharma, Aditya asked for two additional assistants, his brother Uday Chopra and his cousin Karan Johar. Johar also played a small role in the film as Raj's friend. Sharmishta Roy was the film's art director and Manish Malhotra was its costume designer. While Malhotra had many new ideas, Aditya wanted to keep the clothing style simple; he did not want it to distract from the story. Despite this, Malhotra was responsible for the idea of Simran wearing a green dress in the song "Mehndi Laga Ke Rakhna", an unusual colour for a Punjabi bride.



Filming

The Church of Saint Grat in Montbovon, one of the filming locations in Switzerland

Dilwale Dulhania Le Jayenge was filmed in several 5-, 10- and 20-day schedules between September 1994 and August 1995.The first sequence filmed was for the song "Ho Gaya Hai Tujhko" with Kajol and Shah Rukh in Switzerland. The European journey scenes and songs were mainly filmed in SaanenMontbovon and Gstaad, Switzerland.Other scenes were shot in England, at locations including Trafalgar SquareKing's Cross railway station and Angel Underground station. Film's cinematographer Manmohan Singh, a regular collaborator with Chopra, shot the song "Tujhe Dekha To", including the iconic mustard fields scenes with Shah Rukh and Kajol in the mustard fields in Gurgaon on the outskirts of the National Capital Region Delhi.The cast faced difficulties while filming the final scene, which shows Simran running to catch the train on which Raj is travelling. The smoldering heat made it difficult to shoot and each time there was a retake, the train took 20 minutes to return.

Saroj Khan was the choreographer throughout most of the production, but after several disputes between her and Aditya, she was replaced by Farah Khan near the end of the shoot. After the film's eventual success, Saroj apologised to Aditya for underestimating him, but she never worked with him again. Farah choreographed the song "Ruk Ja O Dil Deewane",during which Aditya did not tell Kajol that Shah Rukh was going to drop her, as he wanted to capture her genuine reaction.The film's title was suggested by actress Kirron Kher; it came from the song "Le Jayenge Le Jayenge", in the film Chor Machaye Shor (1974). The Raj character sings parts of this song during the story, and it recurs at the end. Dilwale Dulhania Le Jayenge is believed to be the first Bollywood film with a "Title suggested by" credit. The film has since become universally known by the acronym DDLJ.






Towards the end of the principal photography, Shah Rukh had to split his time between this film and Trimurti (1995), spending half of his day on each film. In early August 1995, when filming on Dilwale Dulhania Le Jayenge was not yet finished, a release date in October around the time of the Diwali festival was decided upon. Composers Jatin and Lalit Pandit were given only 10 days to complete the background score, and the first copies were printed on 30 September. After filming was complete, Aditya decided to make a Hollywood-style documentary of the film-making process, which had not been done before in India. Karan Johar and Uday were put in charge because they had already been recording some of the processes. On 18 October, two days before the film's release, the 30-minute special Dilwale Dulhania Le Jayenge, The Making was broadcast on television by Doordarshan.

 


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